Show Control, Virtual Sound
System Core Audio Engine & Theatre Sound Design Software
"PERFORMANCE FOR THE LONG RUN"
WHERE TOP QUALITY MEETS THE BOTTOM LINE SINCE 1972
At Richmond Sound Design we're committed to providing you with
the finest and most capable performance tools. RSD products
interface with all control philosophies and propel the world's
most prestigious show events. RSD designers are at the
forefront of new ideas in audio, lighting, and show control, and
take a leading role in developing industry standards.
Forged by the demands of live performance, you'll find solutions
from Richmond Sound Design equal to the toughest presentation
tasks, whether in theatre, exhibits, theme parks, education, retail,
industrial, commercial, corporate staging, or concerts.
In this age of products designed primarily for appearance, Richmond
Sound Design still cares about flexibility, function, and power -
to give you solutions to
tough performance problems.
We provide the most efficient and cost effective programmable
sound and show control solutions in the world.
We are respected and innovative industry leaders.
We care about our customers.
We are committed to integrity, social responsibility and the
We fulfill dreams and aspirations by creating exceptionally
capable software and programming environments.
We enjoy knowing our customers personally and including them on
A Short History
Richmond Sound Design Ltd.
was founded in 1972 by
manufacturer of theatrical sound consoles. Since then, we've
originated many sound and theatre industry advancements. For
example, the first
consoles were matrix-equipped and included our
programmable crossfaders - revolutionary features at the time. Our early mixers
often be found on eBay
- a testament to their reliability and functionality.
In 1977 the company introduced the
for dedicated audio control in complex routing applications.
Thousands of VCA-4's are still at work in paging systems at
convention centres, hotels, hospitals, airports, and industrial
In 1986 we created
, the first
computerised audio control system. At the same time a router/switcher, automated
virtual console, and panoramic sound controller, COMMAND/CUE
CONCURRENT, in the opinion of top sound designers, was for many
years the world's most capable surround sound tool and many
systems are still operating reliably in major theme parks around the world.
In 1991 the company unveiled
show control software for a whole new level of presentation
pioneered the use of
to manage a variety of intelligent media controllers:
lighting, sound, lasers, staging and more.
1994 saw the release of
world's first software for synchronizing multiple CD drives.
provided multichannel audio and multi source
effects at a fraction of the cost of alternative systems,
using common and reliable CD's.
In 1997, the new
AudioBox™ Theatre Sound Design & Show Control System
from HFI combined an onboard eight channel digital sound
source with a flexible 16 X 16 DSP matrix. After years of
research, almost any form of sound manipulation could finally
be done in real time, completely in the digital domain, with
one box. The AudioBox was presented TCI Magazine's
Sound Product of the Year Award
Software support on all platforms allowed multichannel audio to be
equalized, delayed, manipulated and distributed in ways previously
only dreamed of.
In 1998 we introduced Loren Wilton's
software for Windows NT [and 2K/XP], providing the power and capability of
on an industry
signifies real compatibility
and true live show interaction.
In 1999 we presented Joanne Dow's
E-Show was the most significant show control concept yet,
comprised of industry standard computing hardware and industrial
standard interface cards all networked using world standard
TCP/IP network protocols. Now any IT department can effectively
assemble and support the world's most powerful show control
E-Show was presented Entertainment Design Magazine's prestigious
1999 EDDY Award
in the Show Control category. The Award
states: "Charlie's done it again. The E-Show Network is based on
industry-standard Windows NT computers interconnected via a
TCP/IP-based network; normally ethernet, but essentially any
TCP/IP-compatible network, even the Internet, can be used. The
system features RSD's Virtual PLC Hardware, comprised of
industry-standard industrial PCI/ISA computer cards, and is
driven by ShowMan(TM) software. E-Show also supports direct
ethernet connection with ethernet-capable industrial control
devices, thereby eliminating the need for host computers at
remote terminals. 'This is a great step in the right direction,
putting show control on a standard ethernet network,' says one of
the judges. 'No more serial lines, MIDI lines, etc.'"
In 2000, we introduced HFI's
including 16 digital audio playback channels onboard
with automatic input switching between live and playback on the
first eight channels. On September 16 in Los Angeles, the
Ride Vehicle version of the AudioBox was awarded the
THEA Award 2000
for Outstanding Achievement in
the area of 'Breakthrough Technology' by the Themed Entertainment
Association. The Award states "Having been judged to represent
the highest standards of excellence and creative achievement in
the arts and sciences of the Themed Entertainment Industry."
In 2005, we started shipping HFI's
with up to 64 digital audio playback and recording channels, 64x64 DSP
matrix, 64 analog and/or CobraNet audio inputs and outputs and, of course, a
full function Show Controller onboard - all in a compact, modular
In 2007, we introduced Loren Wilton's amazing new
Virtual Sound System (VSS) Audio Engine API software for ISVs which essentially
conventional commercial and professional sound system obsolete.
SoundMan-Server is the greenest audio solution because it reduces your sound
system carbon footprint by up to 95%.
In August, RSD
became an IBM Business Partner and SoundMan-Server a certified IBM Store
Integration Framework (SIF) Application Solution
In 2007, we were proud to release the first commercial product
, software which fully emulates and runs all AudioBox shows and
audio files at a fraction of the cost. Also in 2007, The Universal
Studios Hollywood WaterWorld show was the first to be upgraded to
SoundMan-Server, along with the latest versions of ShowMan and E-Show.
Since then, SoundMan-Server, often in combination with ShowMan and E-Show, has
won many contracts and has been incorporated into a vast number of significant
end user software applications created by
almost 40 third party developers who use its powerful audio engine for a vast
number of capabilities and processes, replacing and augmenting dedicated audio
hardware in hundreds of new network based audio applications.
In 2009, SoundMan-Assistant was introduced which replicates the
functionality of the AudioBox AB64 for a fraction of the price and works
perfectly with ABShowMaker and SoundMan-Designer software.
In 2012, many SoundMan-Server models are available with a
wide variety of
I/O options allowing up to 512 live audio inputs and outputs within a single
rack mount computer form factor.
And now in 2013, we are introducing the amazing AVBridgeworks™ by
LA Digital Solutions
- it's like SoundMan-Server on steriods for audio and video, including OSC,
VST, MIDI and a full graphical user interface